Nashville-based rock band The Dead Deads are cherry-picking everything good about grunge, hard rock, indie, classic metal and punk, and creating memorable and fun alternative music for rock fans across generations and genres. They are that “up-and-coming” band that touring artists have known and loved at first sight. They’ve been named by many of their own heroes including Paul Stanley and Eric Singer (KISS), Lzzy Hale (Halestorm), Tom Petersson (Cheap Trick) Corey Taylor (Stone Sour/Slipknot), and Shaun Morgan (Seether) as one of the most refreshing new bands touring today, and they have conjured a wildly engaged fan club—The Dead Corps. With X’s painted over their eyes, the band and fans conjure a rebellious return to fun, freedom, and true fandom.
McQueen on drums, Daisy on bass, and Meta on guitar are a power trio with monster tone and raw rock energy. Heads bang as classic metal and grunge riffs are coaxed into pop hooks. Innocent child-like vocals are interrupted by screams and the occasional brutal growl, as finely crafted wordplay forces unexpected stops and odd time signatures into submission. The unexpected becomes the earworm.
The Dead Deads explore sounds from 90’s bands like The Pixies and Sonic Youth, to modern rock like Cage the Elephant and The Killers, all while keeping their grunge/punk rock roots. They name Failure, Bjork, Led Zeppelin, Blue Oyster Cult, NOFX, Pavement, Pink Floyd, Queen, Weezer, Helmet, Cream, Beck, and The Pixies in amongst their hugely diverse list of influences.
In a relatively short time, the band has played 4 cruises, done over a dozen US tours, two Canadian tours, and enlisted thousands of faithful Dead Corps fans. Seether, Bush, Chevelle, Stone Sour, Halestorm, Skid Row, KISS, 10 Years, and many others have invited The Dead Deads on tours as support.
The band is currently promoting the singles from their forthcoming full-length due out in August 2021. Notable past releases include both a live and a studio album, and a 7″ split. The live album called The Dead Shall Dance was recorded at The Cowan in Nashville, TN creating such buzz that Dead Corps flew in from all over the world to have their voices heard on the record which turned out to be the best example to date of the range, skill and growth of one of the touring world’s favorite rock bands.
Also of note is their studio record Sketches and Animation released in early 2018. This double EP includes five fully-produced bangers with Matt Mahaffey (sElf) on the controls, as well as stripped-down acoustic versions of the same songs produced by Brian Carter. Easter eggs for fans abound in this inventive sampler. The single “Ghosts” was added to Spotify’s New Rock playlist.
Named by The Nashville Scene as a band to watch, they’ve stayed busy in the southeast as well. They christened the new Nashville venue, Basement East, played a live on-air gig for WRLT at legendary listening room 3rd & Lindsley, broke crowd number records at Riverbend Festival in Chattanooga, played a sold-out hometown show with Evanescence on their triumphant return, and headlined Murfreesboro Pride Festival.
In the fall of 2020, while the world was deep inside a pandemic, The Dead Deads began turning heads with the release of their first single, “In For Blood” from their forthcoming album, “Tell Your Girls It’s Alright”. The song landed them on the cover of “New Noise” Editorial Playlist on Spotify, as well as being featured on multiple other editorial playlists including the “Rock This presents The Best Rock Songs of 2020”. Their follow-up singles, “Hey Girlfriend (feat. Julia Lauren of The Foxies)” & “Deal With Me” were released just a few short weeks after and have accumulated the band more than 3 million streams collectively.
As the summer approaches, the next single featured from their album, “Murder Ballad II” featured Slipknot / Stone Sour frontman, Corey Taylor, who co-wrote the song with the band. If that wasn’t enticing enough, Corey was also featured in the music video with the band, which premiered on May 21st, 2021. The single gained multiple editorial playlist placements, features in Kerrang!, Revolver, Loudwire, Blabbermouth, among several others.